Dan Forrest (b. 1978) has been described as “a composer of substance” (Columbus Dispatch), whose works have been hailed as “…magnificent, very cleverly constructed sound sculpture” (San Francisco Classical Voice), and “superb choral writing…full of spine-tingling moments” (Salt Lake Tribune). Since its first publication in 2001, Dan’s music has sold more than a million copies, and is already firmly established in the repertoire of choirs in the U.S. and abroad.
Dan’s choral works have received numerous awards and distinctions, including the ASCAP Morton Gould Young Composer’s Award, the ACDA Raymond Brock Award, a Meet The Composer grant, the ALCM Raabe Prize, and many others. His “A Basque Lullaby” for wind band has been selected for performance at numerous conventions and festivals in the U.S. and internationally. His commissioned choral works have been premiered in major venues around the world, ranging from the World Choral Symposium (Argentina) to Izumi Hall (Osaka, Japan) to Carnegie Hall, the Lincoln Center, the Kennedy Center, and ACDA conventions. His music has been broadcast multiple times on American Public Media’s “Performance Today”. His new Requiem for the Living has quickly become his best-known work, having received overwhelming acclaim since its 2013 premiere, and is receiving hundreds of performances in the US, Canada, South America, Europe, Africa, Asia, and multiple performances in Carnegie Hall.
Dan is highly active in the music publishing industry, both in concert choral music (maintaining a choral series in his name with Hinshaw Music) and in church choral music (serving as associate editor at Beckenhorst Press), and has published with more than a dozen publishers. He has adjudicated numerous regional and national composition contests. Dan keeps a full schedule of commissions, workshops, recordings, adjunct professorships, and residencies with universities, churches, and community ensembles, collaborating as accompanist, presenting his music, and teaching composition and theory.
Dan holds a doctoral degree in composition from the University of Kansas and a master’s degree in piano performance. His academic background includes several years as a professor and department head (music theory and composition) in higher education. More information about Dan and his work can be found at www.danforrest.com
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